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UP PRESS AT 46

Any time is always a good time to visit a bookstore but last month may have been an extra good time for those who visited the UP Press Bookstore because of the monthlong sale.


March marks the UP Press anniversary and to celebrate its 46th year all UPP titles, including new releases and bestsellers, were sold at a 20 percent discount while consigned items were given at a five percent discount.Aside from the sale, a surprise gift was also given to an unsuspecting 46th customer.


An online promotion via the University of the Philippines Facebook fan page was launchedweeks before the sale to usher in the celebration.Books and UP Press stationeries were given away as prizes for lucky participants who answered theweekly questions posted from February 7 – March 4. The promo winners were a mix of students from various universities and professionals from all over the Metro.


The event closed with a thanksgiving mass and lunch held last March 31 at the UP Press office. Vice President for Academic Affairs Professor Gisela Concepcion and Vice President for Administration Professor Maragtas Amante joined UP Press Director Maria Luisa Camagay and staff.

ALIWW ANNOUNCES SEMINARS BY TWO WOMEN WRITERS

The Ateneo Library of Women's Writings (ALIWW) wishes to announce its Summer Writing Program. Award-winning writers Criselda Yabes and Rica Bolipata-Santos will hold separate writing seminars all throughout the merry month of May. Below is the schedule of classes which will be held at the ALIWW, Old Rizal Library, Ateneo de Manila University. Seminar fee for all lessons is P8000. Early bird registration before April 15 is P7000. Please call 4266001 loc 5561 or email aliww@admu.edu.ph.


Criselda's classes


Saturdays, 9-12 am


May 7, 14, 21, 28


Rica's classes


Fridays, 2-5 pm


May 6, 13, 20, 27

---


Criselda Yabes and Rica Bolipata-Santos are authors of UP Press published titles.

Criselda Yabes


   Below the Crying Mountain


   Sarena's Story


Rica Bolipata-Santos


   Lost and Found and Other Essays.


THE ASIAN RELIGIOUS SENSIBILITY AND CHRISTIAN (CARMELITE) SPIRITUALITY BY SR. TERESA JOSEPH PATRICK OF JESUS AND MARY OCD (JOSEFINA D. CONSTANTINO) NOW AVAILABLE

Written by a Carmelite Filipino contemplative nun who was given a MISSIO grant for this study in 1976, the new edition includes a report based on a special permission granted her to visit and stay a month each in a Carmelite monastery in India, Thailand, and Indonesia. In the providence of God, she was able to have a three-day stay in Canton, China, as just one more aspect of reality in today’s Asia; a copy of this report is also included. A fascinating mosaic of varied forms of exposition, the book can be read in any part; actually it can be called a collection of nine paperbacks. Each chapter is a small book in itself.

Writing in alternatingly vigorous, charming, profound, and even poetic prose, the writer explores, gropingly and tentatively, the Asian subconscious in the light of Buddhist, Hindu, Taoist, and Moslem cultures. In varied ways, suitable to the literary forms she uses, the book renders itself invaluable for providing not only sharp, original, and perceptive insights, but also possible models for dialogues and exchanges.

This book is a stupendous spiritual magnum opus whose message rings true today as it did more than thirty years ago. It is a Filipino masterwork in religious philosophy, theology, narrative, and memoirs. Constantino, a former UP English professor, treads various fields with a mighty and complex pen, traversing and catapulting into spiritual and intellectual highs. The Asian Religious Sensibility . . . is a must have for the Filipino thinking man and woman who has grappled with a sense of God and the other world. Viewed this way, this book is as compelling as it is rewardingly complicated.

Volume Two will also soon be available.

Click here to order now.

UP PRESS FREE BOOKS ON FACEBOOK PROMO


PROMO MECHANICS

ELIGIBILITY


1. Open to all University of the Philippines Press facebook fans 18 years old and above.


2. UP Press employees and their relatives up to second degree of consanguinity or affinity are disqualified from joining the promotion.


SUBMISSION


1. Write your answer as a comment to the post of the week.


2. Deadline of submission is every Thursday at 1pm.


3. There will be five winners for each week.


4. Announcement of winners if every Friday.


5. Promo period is from February 7- March 4, 2011.


EVALUATION  OF ENTRIES


1. Must meet all requirements stated above and the specific requirements indicated in the post of the week.


2. From the valid entries, five winners will be selected by drawing lots.


3. UP Press reserves the right to disqualify any submission that it deems inappropriate and/or does not meet contest requirement.


3. UP Press reserves the right to not select a winner if none of the entries received are judged to meet the criteria.


PRIZES


1. One book for each of the following titles will be given as prizes:

Favorite Arcellana Stories

Bird lands, River Nights, and Other Melancholies

Looking for the Philippines

The Children’s Hour Volume I

The Children’s Hour Volume II

Sandaang Damit

Best Filipino Stories: The NVM Gonzalez Awards, 2000-2005

Bagets: An Anthology of Filipino Young Adult Fiction

Nine Supernatural Stories

Bedtime Stories: Mga Dula sa Relasyong Sexual

Tutubi, Tutubi, ‘Wag kang Magpahuli sa Mamang Salbahe

Fourteen Love Stories

Last Order sa Penguin

Jolography

Barriotic Punk

The LIKHAAN book of Poetry and Fiction 1998

Ang Aklat LIKHAAN ng Tula at Maikling Kuwento 1998

Ang Aklat LIKHAAN ng Tula at Maikling Kuwento 1996

The LIKHAAN book of Poetry and Fiction 1997

Ang Aklat LIKHAAN ng Tula at Maikling Kuwento 1997


 2. Lots will be drawn to determine title of book to be awarded to each winner.


3. Winners must claim the book on or before March 31, 2011 at the UP Press bookstore or at the UP Press Marketing Office and must present valid identification.



ABAD LAUNCHES FICTION ANTHOLOGY

by Bernice P. Varona

Multi-awarded poet-critic-editor-university professor emeritus Dr. Gemino Abad launched his newest anthology Underground Spirit: Philippine Short Stories in English 1973-1989 Volumes I and II, on October 23 at the Solidaridad Bookshop, Manila. This anthology is a continuation of the late Prof. Leopoldo Yabes’s three-volume anthology Philippine Short Stories that covered the years between 1925 to 1955.

Abad  plans to add four more volumes to the anthologies, making them a six-part series. These volumes will include Philippine stories in English from 1956 to 2008. The titles for these forthcoming volumes are Underground Spirit and Hoard of Thunder. These will be published by the UP Press.

“The stories deal with any number of themes: love and sex, the lot of the poor, moral corruption, the supernatural etc. Our literature, our works of imaginationan (and scholarship, too) in whatever language we write from, create our sense of country; for our sense of country is how one imagines her. That is my chief motive for the anthology series: one’s country is what one’s imagination owes it allegiance to,” said Abad. “We are our own best interpreters and critics of our country and our people, though of course we might also learn from foreigners.”

The Philippine Center of the International PEN (Poets & Playwrights, Essayists, Novelists) through the generosity of National Artist for Literature F. Sionil Jose and his wife Tessie made the book launch possible. During the event, a dialogue between Abad and a oanel composed of writers Charlson Ong, Elmer Ordonez, National Artist for Literature Bienvenido Lumbera, Rony Diaz, and J. Wendell Capili was held.

Underground Spirit: Philippine Short Stories in English 1973-1989 Volumes I and II is available at the UP Press Bookstore, National Bookstore, and Solidaridad Book Store.

Click here to order the anthologies.    

                                 

UP Newsletter

PHILIPPINE CINEMA IN THE '90s, ACCORDING TO THE MANUNURI

by Patrick F. Campos

Urian anthology revealingly documents the decade of the ‘dying cinema’-what Nic Tiongson calls ‘the worst of times.’

SOMETHING HAS definitely changed between the 1990s, when “indie” was meaningless to the popular imagination but meant hope for a dying cinema to a subculture, and 2010, when “indie” means “art films” that today outnumber mainstream movies in output and prestige.

It is easy to forget the ’90s, when Philippine cinema underwent “the worst of times.” It is a decade rendered nebulous for being sandwiched between the “Golden Age” of the ’70s and 1980s and the current indie cinema.

What is ironic is not only that the film industry had been declared terminally ill during the decade of the Centennials of the Birth of Cinema and of Philippine Nationalism, but also, precisely, that it is so easy to forget the films of this decade.

“The Urian Anthology 1990-1999” (University of the Philippines Press, 562 pages), a collection of articles, reviews and interviews by the Manunuri ng Pelikulang Pilipino (MPP), remedies that. Introduced and edited by Nicanor Tiongson, the book is the third in a series of richly illustrated coffeetable books. Taken together, these volumes are an indispensable compendium on cinema since the ’70s, accessible to scholars and general readers alike.

Read more


UP PRESS WINS PUBLISHER OF THE YEAR AWARD, LAUNCHES TEN NEW TITLES

by Arvin Abejo Mangohig

UP Press emerged victorious at the National Book Awards held at the Metropolitan Museum of Manila last November 13. The Press won the coveted Publisher of the Year plum while Jerry Gracio’s Aves and The Life and Works of Marcelo Adonay, Volume 1 by  Elena Rivera Mirano, Corazon Canave Dioquino, Melissa Corazon Velez Mantaring, Edna Marcil Martinez, Ma. Patricia Brillantes-Silvestre, Iñigo Galing Vito, and Patricia Marion Lopez also won in the Poetry and Arts Categories, respectively. Four other UP Press titles were nominated. UP Press director Ma. Luisa Camagay graciously received the Publisher of the Year award from eminent literary scholar Dr. Isagani Cruz.

The National Book Awards is an annual event recognizing the best in Philippine publishing. The winners were chosen jointly by the Manila Critics Circle and the National Book Development Board's appointed judges. Click here for more information on the winners.

The next week, the UP Press launched the second batch of new titles for the year. They are:

1.      The Urian Anthology 1990-1999 edited by Nicanor Tiongson

2.      Folk Poetry of Southern Leyte: A Collection of Secular and Religious Folk Poetry by Placida Go-Saga

3.      El Folklore Filipino by Isabelo de los Reyes

4.      Dangerous Liaisons by Ruth Jordana Pison

5.      Ambagan 2009: Mga Salita Mula sa Iba’t Ibang Wika sa Filipinas ed. by Galileo S. Zafra

6.      Alter(n)ations: The Art of Imelda Cajipe Endaya by Flaudette May Datuin

7.      Balatik: Etnoastronomiya: Kalangitan sa Kabihasnang Pilipino by Dante Ambrosio

8.      The Other View: Literature, Culture, and Society (Volume I) by Elmer A. Ordoñez

9.      Below the Crying Mountain by Ma. Criselda D. Yabes

10.  Fruit and Plantation Crop Production in the Philippines by Leon Namuco et al. 

Click here for more information on our newest titles. Click here to order.

The launch was held on November 19 at the UP Executive House, graciously offered to the Press by UP President Emerlinda Roman as venue. The launch was a fruitful, personal one, with the book authors and some of their representatives sharing some of the memorable experiences in writing the material. National Artist for Literature Virgilio S. Almario also attended.

REDEMPTION OF A DECADE IN PHILIPPINE CINEMA

By Francis Joseph A. Cruz (The Philippine Star) 

MANILA, Philippines - We are a sentimental people. We thrive in captured memories: photographs of ourselves backdropped by famous locations in lands we’ve visited, memorabilia from baptisms, weddings, and anniversaries, essential souvenirs from personally important events in our lives. We are constantly nagged by a fear that lest we have tangible representation of points of reminiscence, we tend to forget. And we do forget.


Our country’s history is haunted constantly by recurring themes of failures, followed by great victories, followed by forgetting, followed by failures, and so on. We establish monuments, statues, and shrines. We name schools, streets and bridges by events or people that would supposedly inspire us to remember.


We are a nation of forgetful people who constantly scrounge for objects to remember. That is our fault. That is also our virtue.


Perhaps the biggest representation of this irony is our cinema. We are proud of it, sure. We rejoice when a Filipino film wins awards overseas. Unfortunately, jubilation is fleeting, if not totally hypocritical. We only recognize our cinema when it receives foreign accolades. Without them and quite horrifically, with them sometimes, our cinema is treated like junk – both symbolically and literally – thrown in un-airconditioned basements and warehouses to burn or rot.


We remember the greats – the films of Brocka, Bernal, the two De Leons, and Conde – yet we are completely unaware that almost all of their films are inexistent in their original formats, most of their films are available in substandard digital copies, and some of their films are completely lost.


What we have left are descriptions, perhaps two or three paragraphs at most, to have us remember these films which we absolutely have no memories of.


Inasmuch as preserving films are important, the act of chronicling films, whether analytically or journalistically, is essential in recreating memories out of nothing, caused by the failure of a people that views cinema as a disposable thing of the present instead of a cultural stronghold.


It is for this reason that Dr. Nicanor Tiongson should be commended for coming up with The Urian Anthology 1990-1999 (UP Press 2010), a handsome yet heavyset tome containing memories – mostly good with sprinklings of some bad – of a contestable decade in Philippine cinema.


It is an elegant book. Its cover, a sepia-hued collage of several scenes from films, mostly historical and involving national heroes portrayed by different actors and actresses, seduces the onlooker to reminisce the decade when glamorous historical epics apologized for the numerous titillating showcases and brash comedies that populated movie houses.


The decade, described by Tiongson as the “best of times, the worst of times,” saw Philippine commercial cinema at its lowest, where studios literally and figuratively prostituted itself and its talents to battle imports. Yet the decade also showed glimmers of excellence, where filmmakers and even studios experimented and, in turn, paved the way for the seeds of what was to come the next decade.


A quick skim through the pages reflects the differing facets that defined the decade. Stills from the numerous films adorn the margins of the book, detailing the highs and lows of cinema, where the same actors played national heroes and rapists, the same actresses portrayed dignified women and prostitutes.


The reviews, selected by Tiongson from the Manunuri’s own roster of critics ranging from the enlightening like Hammy Sotto to the populists like Butch Francisco, are important because most of them reflect the critical reaction during the time of the film’s release, approximating, at least to the current reader, how a film was over-appraised or under-appraised.


The various articles, academically rationalizing the pleasant and unpleasant movements and genres that emerged out of the dire economic circumstance of the industry, are springboards for discourse.


The interviews of the decade’s defining filmmakers are also interesting, especially those of filmmakers who continue to work today who might have sacrificed some of the artistry they preach about to survive the dehumanizing rigors of present-day commercial filmmaking.


For whatever its worth, for however critics and filmmakers acknowledge it now, the decade that Tiongson’s indispensible labor of love gives focus to, as exemplified by the collection of articles that seeks not to blindly honor but only to document the decade that passed, is an amalgam of colors, themes, moralities, and levels of artistry that Philippine cinema is evolving into.


Little by little, as a subtle thread of a narrative develops as Tiongson’s carefully conceived book closes to a finish with filmographies of the decade, we acknowledge that Philippine cinema lives – through the good times and the bad.


Personalities pass. Directors retire. Studios fold. Cinema continues, constantly reinventing itself, constantly changing. The Urian Anthology 1990-1991 is the suitable memoir for this nation of forgetful filmgoers to remember that cinema is of value and should be valued.


I just hope that we do not become content with articles and pictures, and start watching these films, and if they are unavailable because of reasons beyond our control, start clamoring the government for a film archive to save us from the dangers of forgetting.


philstar.com

TWO UP PRESS TITLES WIN AT THE GINTONG AKLAT AWARDS


Compendium of the Economically Important Seashells in Panay, Philippines by Liberato Laureta and Pag-aklas/Pagbaklas/Pagbagtas by Rolando Tolentino won at the prestigious Gintong Aklat Awards.

The biennial Gintong Aklat Awards, mounted by the Book Development Association of the Philippines (BDAP) and the National Book Development Board, was held at the recently concluded Manila International Book Fair, the paramount event for the Philippine book industry.

Established in 1981, the Gintong Aklat Awards recognizes books that are judged for all-around excellence in book manufacture and design, writing, and editing. Categories are Literature (English and Filipino), Social Science, Natural Science, Arts and Culture, Inspirational and Culinary.

For 2010, twelve finalists and nine winners were chosen among 268 entries.

Pag-aklas … is a collection of essays wherein Tolentino trains his critical eye on everything from McDonald’s to political violence, deftly analyzing events while offering a groundedness only a true social scholar can deliver. Tolentino is a respected writer and is currently the dean of the College of Mass Communication in UP Diliman.

Compendium … has more than three hundred full color photographs, providing vivid and adroit information on seashells in the Philippines. The unique combination of photographs and the comprehensive and concise accounts of the different species makes the book valuable material for students and researchers alike. Laureta is a researcher and faculty member of the College of Fishers and Ocean Sciences, UP Visayas. He received his doctor’s degree from the University of Liverpool, Great Britain. He is a lifetime member of the Malacological Society of the Philippines.


Click here to order the books
.

with reports from mb.com.ph

SIX UP PRESS TITLES NOMINATED IN 2010 NATIONAL BOOK AWARDS

by Arvin Abejo Mangohig

Six titles from the UP Press were honored with nominations in the 2010 National Book Awards. Leading the nominees is Bilanggo:  Life as a Political Prisoner in the Philippines, 1952-1962 by William J. Pomeroy in the Nonfiction Prose category.

Gawad Likhaan winners Aves by Jerry B. Gracio and Bird Lands, River Nights and Other Melancholies by Jose Marte A. Abueg are co-nominees in the Poetry category.

For the Art category [Alfonso T. Ongpin Prize for Best Book on Art], The Life and Works of Marcelo Adonay, Volume 1 by  Elena Rivera Mirano, Corazon Canave Dioquino, Melissa Corazon Velez Mantaring, Edna Marcil Martinez, Ma. Patricia Brillantes-Silvestre, Iñigo Galing Vito, and Patricia Marion Lopez and A Satire of Two Nations:  Exploring Images of the Japanese in Philippine Political Cartoons, Helen Yu-Rivera are also co-nominees.

Finally, Kalusugang Pampubliko sa Kolonyal na Maynila, 1898-1918: Heographiya, Medisina, Kasaysayan by Ronaldo B. Mactal is a nominee for the Social Sciences category.

Winners will be announced on November 13 at The Metropolitan Museum of Manila. Below is the full list of nominees:

 

LITERARY DIVISION

Fiction [Juan C. Laya Prize for Best Novel in a Philippine Language & Juan C. Laya Prize forBest Novel in a Foreign Language]

Flames and Other Stories, Angelo R. Lacuesta (Anvil Publishing)

The Revolution According to Raymundo Mata, Gina Apostol (Anvil Publishing)

Sibago, Abdon M. Balde Jr. (University of Santo Tomas Publishing House)

Unang Ulan ng Mayo, Ellen Sicat (Anvil Publishing)

LiteraryCriticism/Literary History

Pungsod Damming the Nation:  Region/Nation and the Global Order in Contemporary West Visayan Literature, Isidoro M. Cruz (University of San Agustin Publishing House)

Nonfiction Prose 

Bilanggo:  Life as a Political Prisoner in the Philippines, 1952-1962, William J. Pomeroy (University of the Philippines Press)

The Drama of It:  A Life on Film and Theater, Daisy Hontiveros Avellana (Anvil Publishing)

Wash:  Only a Bookkeeper, A Biography of Washington Z. Sycip,  Jose Y. Dalisay Jr. (SGV Foundation)

 

Graphic Literature  

Trese: Mass Murders, Ferdinand-Benedict G. Tan and Jonathan A. Baldisimo (Visprint)

El Indio A Graphic Novel by Francisco V. Coching (Vibal Foundation)

 

Poetry

Aves, Jerry B. Gracio (University of the Philippines Press)

Bird Lands, River Nights and Other Melancholies, Jose Marte A. Abueg (University of the Philippines Press)

The Fashionista’s Book of Enlightenment, Carlomar Archangel Daoana (DBW)

The Highest Hiding Place:  Poems, Lawrence Lacambra Ypil (Ateneo de Manila University Press)

 

NON-LITERARY DIVISION

Professions

The Law and Practice on Philippine Corporate Governance, Cesar L. Villanueva (Holy Angel University)


Social Sciences

Bakwit:  The Power of the Displaced, Jose Jowel Canuday (Ateneo De Manila University Press)

Kalusugang Pampubliko sa Kolonyal na Maynila, 1898-1918: Heographiya, Medisina, Kasaysayan, Ronaldo B. Mactal (University of the Philippines Press)

Art [Alfonso T. Ongpin Prize for Best Book on Art]

The Life and Works of Marcelo Adonay, Volume 1,  Elena Rivera Mirano, Corazon Canave Dioquino, Melissa Corazon Velez Mantaring, Edna Marcil Martinez, Ma. Patricia Brillantes-Silvestre, Iñigo Galing Vito, and Patricia Marion Lopez (University of thePhilippines Press)

A Satire of Two Nations:  Exploring Images of the Japanese in Philippine Political Cartoons, Helen Yu-Rivera (University of thePhilippines Press)

Design

Mapping the Philippines:  The Spanish Period, Felix Mago Miguel, desinger (Rural Empowerment Assistance and Development Foundation)

Palaspas:  An Appreciation of Palm Leaf Art in the Philippines, Karl Fredrick M. Castro, designer (Ateneo de Manila University Press)

Palawan:  Land of Blessing, Felix Mago Miguel, designer (Provincial Government of Palawan)

A Sudden Rush of Genius, Mandy Cabral, designer (Art Quest World Wide)

Mga Tambay sa Tabi-Tabi:  Creatures of Philippine Folklore, Mela Advincula, Robbie Bautista, Liza Flores, and Leo Alvarado, designers (Anvil Publishing)

STAR-STUDDED URIAN ANTHOLOGY BOOK LAUNCHING AT THE UP DILIMAN

by Arvin Abejo Mangohig

Film directors, critics, and stars descended on Balay Kalinaw, UP Diliman last night for the launch of the Urian Anthology 1990-1999 introduced, compiled, and edited by Nicanor Tiongson. The third anthology in the Urian series, the book gathers together the reviews of film critics about every Filipino film that was released within that decade and over 1,000 photographs and film stills. It also boasts of never-before-published interviews and photo-portraits of some of the most important directors the country has ever produced.

Present at the launch were National Artist for Film Eddie Romero and National Artist for Literature Bienvenido Lumbera. Also present were film directors Mel Chionglo, Joel Lamangan, Brillante Mendoza, and Gil Portes. Actress/scriptwriters Bibeth Orteza and Raquel Villavicencio graced the event while the stately Armida Siguion Reyna congratulated Nick Tiongson for a job well done. Richard Gomez, Joel Torre, and Ricky Davao were also spotted purchasing copies of the book (and being mobbed by fans).

Film critic Eli Guieb offered a concise critique of the book. UP Diliman Chancellor Sergio Cao commended Tiongson for his comprehensive efforts in archiving Filipino film while UP Press director Ma. Luisa Camagay was only too happy to assist him in having the hefty book see print. College of Mass Communications Dean Roland Tolentino assisted Tiongson in handing out copies to the film critics whose reviews made the book possible. The UP Singing Ambassadors ably provided the night’s entertainment with classic theme songs from the movies like “Bituing Walang Ningning” and “Sana’y Maulit Muli.”

The Urian Anthology 1990-1999 is available at the UP Press Bookstore, UP Diliman (near the College of Architecture and the police station). Click here to order the book.


UP PRESS AUTHORS WIN AT THE 60TH PALANCA AWARDS

by Arvin Abejo Mangohig

UP Press authors were among the winners of the 60th Palanca Awards, whose awarding rites were held this September at the Peninsula Manila Hotel in Makati. The Palancas are the most prestigious and most comprehensive award-giving body for literature in the country. Its efforts in promoting the growth of literature have been recognized by the Cultural Center of the Philippines, the Manila Critics Circle, the Komisyon sa Wikang Filipino, and the United Nations Educational, Scientific and Cultural Organization (UNESCO) among others.

Merlie Alunan won first prize for her English poetry entry Tales of the Spiderwoman. Her Selected Poems was published by the UP Press in 2004.

Jerry Gracio won second place for his Dulang Pampelikula entry Magdamag. He has two books bearing the UP Press imprint: Apokripos (2006) and Aves (2010), which was the winner of the Gawad Likhaan: the UP Centennial Literary Award.

Romulo Baquiran won second place for his Tula entry Parokya. He is the author of Onyx (2003), which won the National Book Award for Poetry.

Last but not least, Rommel Rodriguez won first place for his Maikling Kwento entry Toxic. He is the co-author of Tabi-tabi sa Pagsasantabi, also published in 2003.

Click here to order the books of these award-winning authors.


UP PRESS GOES TO THE MIBF

The University of the Philippines Press (UPP) will be joining the Manila International Book Fair on September 15-19, 2010 at the SMX Convention Center, Mall of Asia. 

Come and visit the UPP booth. Available for sale are our renowned publications, as well as the titles recently launched by the UPP in the first half of 2010 which include Muling-Pagkatha sa Ating Bansa by Virgilio S. Almario, Commend Contend/Beyond Extensions by Edith L. Tiempo, Underground Spirit: Philippine Short Stories in English 1973 to 1989, Volumes I and II by Gèmino Abad, Agaw-dilim, Agaw-liwanag by Lualhati Milan Abreu, Elementary Statistics by Josefina Almeda, et al., Favorite Arcellana Stories by Emerenciana Y. Arcellana (Ed.), Frontier Constitutions by John D. Blanco, Lost and Found and Other Essays by Rica Bolipata-Santos, Sundays in Manila by Robert H. Boyer, Siglo: A Hundred Years of the PGH in the Service of the Filipino People by Jose Luis J. Danguilan, M.D., et al., UP Diliman: Home and Campus by Narita Gonzalez and Gerardo Los Baños (Eds.), The Sky Over Dimas by Vicente Garcia Groyon, Bibliography of Filipino Novels by Patricia May Jurilla, Poultry Production in the Tropics by Angel L. Lambio (Ed.), UP in the Time of People Power by Ferdinand Llanes (Ed.), The Forest by William Pomeroy, Teaching and Learning in the Health Sciences by Erlyn A. Sana (Ed.), The Muslim South and Beyond by Samuel K. Tan, The Americanization of Manila by Cristina E. Torres and Sarena’s Story by Criselda Yabes.  

For inquiries, please call the University of the Philippines Press at (02) 926-6642, email press@up.edu.ph, or visit our website at http://uppress.com.ph.  

UP PRESS TO LAUNCH TWO NEW BOOKS

The UP Press will be launching Frontier Constitutions by John D. Blanco on August 24, 2010, 2:30 pm at the Faculty Center, UP Diliman Campus. The book was launched last July 23, along with nineteen more titles.

Frontier Constitutions tackles everything from Jose Rizal's Noli me tangere to Balagtas's metrical romance. Frontier Consitutions also takes on Christianity as a colonial/colonizing power. Blanco writes: "The exemption of religious authorities from laws under the monarch's rule ... reflected the conviction that the monarchy itself was an instrument of a higher will and that, in cases of emergency or expediency, this higher will had to be upheld by the spritual power and its direct earthly representatives, not the monarch."

Blanco teaches Latin American, Philippine, and US comparative literature and cultural studies at the University of California, San Diego. In addition to Frontier Constitutions, he has published essays examining colonial and postcolonial histories and cultures. His current research examines the rise of divergent worldviews and ethical dispositions in the Americas and the Philippines during the sixteenth and seventeeth centuries.


Meanwhile, The Urian Anthology 1990-1999 edited by Nicanor G. Tiongson will be launched on September 15, 2010, 5:00 pm at the Balay Kalinaw, UP Diliman Campus.

The Manunuri ng Pelikulang Pilipino has collected its members' representative film reviews in a series of anthologies, the latest of which is this volume. It is a richly illustrated volume which encourages further research and study of Filipino cinema. Published by the UP Press and with the support of the Film Development Council of the Philippines, The Urian Anthology is a must have for scholars and cineastes everywhere.

Tiongson is a well-known critic and academician. He is a former dean of the College of Mass Communications, UP Diliman and was artistic director of the Cultural Center of the Philippines.

UP PRESS REPRINTS TWO AWARD-WINNING BOOKS

As part of its 2010 titles, the UP Press has reprinted Beyond, Extensions/Commend Contend by National Artist Edith Tiempo and The Sky over Dimas by Vicente Garcia Groyon.

Beyond, Extensions is paired with Tiempo’s newest poetry collection: Commend Contend. In his introduction, poet Alfred Yuson praises the poems in Commend Contend for their wizened bounty and magnanimity. Gemino Abad wrote the introduction for Beyond, Extensions in 1993 and underlined her invigorating presence in Philippine literature in English. The two collections offer a fascinating insight to the growth and artistic trajectory of one of the Philippines’ most enduring women writers.

Meanwhile, Dimas has won the Grand Prize for the Novel, Don Carlos Palanca Memorial Awards, the Madrigal-Gonzalez Best First Book Award, and the Manila Critics Circle National Book Award. The Sunday Inquirer Magazine called it “a gripping, sleek read.” Ficitonist and critic Rosario Cruz Lucero agreed and says that the novel is an “ambitious, high-wire act . . . written in consistently flawless and elegant prose.”

The UP Press has also published Groyon’s collection of short stories, On Cursed Ground and Other Stories. Groyon teaches at De La Salle University-Manila.

Tiempo is the lone female National Artist for Literature. She is a multi-awarded poet and fictionist who conducts the famed Silliman Writers Workshop in Dumaguete City with her husband. Among her other works are A Blade of Fern, 1978, The Native Coast, 1979, and The Alien Corn, 1992; the poetry collections, The Tracts of Babylon and Other Poems, 1966, and The Charmer's Box and Other Poems, 1993; and the short story collection Abide Joshua, and Other Stories, 1964.

Click here to order the books.

THE UP PRESS BOOKSTORE HAS MOVED

The UP Press Balay Kalinaw Bookstore has moved to the UPP main office located at E. delos Santos Street, UP Diliman campus near the College of Architecture and the police station. 

It can be accessed directly by the Toki jeepney route; riders of the Ikot jeeps can get off at the College of Fine Arts and walk straight through to Lakandula Street. Those coming from Philcoa can get off at the first waiting shed of the Academic Oval and walk to the right for a few hundred meters.

See the map here.

Thank you for your continued patronage.

PAGLULUNSAD 2010: UNANG YUGTO


The University of the Philippines Press will be launching twenty-one new titles for the first half of the year 2010. The event, dubbed Paglulunsad 2010: Unang Yugto, will be held on July 23, 2010, 5:00 PM at the Balay Kalinaw located at Guerrero corner Dagohoy Streets, UP Diliman, Quezon City.

The authors and their titles are:

Prof. Virgilio S. Almario

Muling-Pagkatha sa Ating Bansa


Dr. Robert H. Boyer

Sundays in Manila


Mrs. Narita Gonzalez

Prof. Gerardo Los Baños

UP Diliman: Home and Campus


Prof. Vicente Garcia Groyon

The Sky Over Dimas


Dr. Edith L. Tiempo

Commend Contend


Dr. Cristina E. Torres

Americanization of Manila


Ms. Criselda Yabes

Sarena’s Story


Ms. Lualhati Milan Abreu

Agaw-dilim, Agaw-liwanag


Dr. Emerenciana Y. Arcellana

Favorite Arcellana Stories


Dr. Ferdinand Llanes

UP in the Time of People Power


Dr. Jose Luis Danguilan, Dr. Rafael Bundoc, Mr. Jerome Ong, Dr. Phillip Aristotle Hermida

Siglo: A Hundred Years of the PGH in the Service of the Filipino People


Dr. John D. Blanco

Frontier Constitutions


Dr. Gémino Abad

Underground Spirit: Philippine Short Stories in English 1973-1989, Volume I, 1973 to 1982

Underground Spirit: Philippine Short Stories in English 1973-1989, Volume II, 1983 to 1989


Dr. Erlyn A. Sana

Teaching and Learning in the Health Sciences


Rica Bolipata-Santos

Lost and Found and Other Essays


William Pomeroy

The Forest


Dr. Samuel K. Tan

The Muslim South and Beyond


Dr. Angel L. Lambio

Poultry Production in the Tropics


Dr. Patricia May Jurilla

Bibliography of Filipino Novels


Prof. Josefina  Venegas Almeda

Prof. Therese Garcia Capistrano

Prof. Genelyn Ma. Ferry Sarte

Elementary Statistics
 

For inquiries regarding the book launch, contact Cheenee at (02) 9266642 / press@up.edu.ph or visit our website at http://uppress.com.ph.

FRONTIER CONSTITUTIONS BY JOHN D. BLANCO NOW AVAILABLE

Frontier Constitutions: Christianity and Colonial Empire in the Nineteenth-Century Philippines by scholar John D. Blanco is now available. Part of the  Asia Pacific Modern series, Frontier Constitutions examines Christianity and colonialism, taking "a turn away from the strictly historiographic detailing of dates and events into cultural exploration and configuration," writes National Artist Bienvenido L. Lumbera. He continues: "The book explains the complex impact of Spanish hegemony on the consciousness of the native populace, using art works and litetrature as foundation of insights ..." Lumbera hails Blanco as "a major cultural historian whose innovative practice will profitably light the path of young scholars of the future."


The book tackles everything from Jose Rizal's Noli me tangere to Balagtas's metrical romance. Frontier Consitutions also takes on Christianity as a colonial/colonizing power. Blanco writes: "The exemption of religious authorities from laws under the monarch's rule ... reflected the conviction that the monarchy itself was an instrument of a higher will and that, in cases of emergency or expediency, this higher will had to be upheld by the spritual power and its direct earthly representatives, not the monarch."


Blanco teaches Latin American, Philippine, and US comparative literature and cultural studies at the University of California, San Diego. In addition to Frontier Constitutions, he has published essays examining colonial and postcolonial histories and cultures. His current research examines the rise of divergent worldviews and ethical dispositions in the Americas and the Philippines during the sixteenth and seventeeth centuries.


UP PRESS GOES TO ABAP BOOK FAIR THIS JULY


The University of the Philippines Press (UPP) will be joining the 14th Philippine Academic Book Fair on July 6-10, 2010 at SM Megamall.

Come and visit the UP Press booth. Available for sale are our renowned publications, as well as the titles launched by the UPP for the first half of 2010 which include: Muling-Pagkatha sa Ating Bansa by Virgilio S. Almario, Sundays in Manila by Robert H. Boyer, UP Diliman: Home and Campus by Narita Gonzalez and Gerardo Los Baños (Eds.), The Sky Over Dimas by Vicente Garcia Groyon, Commend Contend by Edith L. Tiempo, Americanization of Manila by Cristina E. Torres, Sarena's Story by Criselda Yabes, Agaw-dilim, Agaw-liwanag by Lualhati Milan Abreu, Favorite Arcellana Stories by Emerenciana Y. Arcellana (Ed.), and UP in the Time of People Power by Ferdinand Llanes.

See you there!

For inquiries, please call the University of the Philippines Press at (02) 926-6642, email press@up.edu.ph or visit our website at http://uppress.com.ph.  




A FEAST OF MEMORIES


by Jose Y. Dalisay Jr.


I was delighted to receive, recently, advance copies of two new books soon to be launched by the University of the Philippines Press—UP Diliman: Home and Campus, edited by Narita M. Gonzalez and Gerardo T. Los Baños, and Sundays in Manila by Robert H. Boyer. That all these people are known to me is a pleasant bonus— Narita is the widow of our fellow provinciano and mentor NVM Gonzalez, and Beng’s teacher; Gerry was my student and now my colleague; and Bob Boyer taught with our department and has since been a great friend—but the books themselves are the prize.

Narita’s book (I call it Narita’s, although Gerry ably co-edited it, because the memories are mostly hers and her generation’s) is a compilation of reminiscences and reflections about life in what’s often been called the “Republic of Diliman,” a nearly self-contained “communiversity” as Narita and her fellow pioneers call it. The term “pioneer” itself holds a special meaning in the context of Diliman, that wooded, grassy stretch of land on the fringe of the postwar country’s brand-new capital, still occupied in 1948 by the US Army’s General Records Department, with their Quonset huts and barracks that would become UP’s trademark over the next half-century. The pioneers were the first families to move into the new campus—often into a sawali cottage before graduating to a “permanent house.”

The great academic families of UP roll off the tongue in this fond memoir—not just the Gonzalezes, but the Arcellanas, the Lagmays, the Corpuzes, the Bonifacios, the Lesacas, the Monsods, the Nemenzos, the Macedas, the Mirandas, the Hidalgos, the Encarnacions, and the Abuevas, among many others. If, as they say, it takes a village to raise a child, it soon dawns on the reader that it takes a community like Diliman—as it was in the ‘50s and ‘60s, with family and school practically indistinguishable from one another—to raise a scholar. In Narita’s book—which also features the recollections of dozens of other contributors—the babies who are born and the children who break their bones climbing mango trees soon become professors themselves, after a rebellious diversion or two, and take over their parents’ houses in the closest thing the staunchly democratic UP has to a dynastic tradition.

I was never a member of the UP Student Catholic Action nor a fan of the fabled Fr. John Delaney—by the time I came to Diliman, the winds had turned firmly leftward—but it’s hard not to share the wonderment of the characters in this memory of Narita’s, about the genesis of a landmark:

“One evening, during one of those scheduled meals in Area 17, in the home of the Abueva brothers—Billy, Teddy, and Pepe—Father Delaney met an architect. It was quite a fortuitous event. The architect was Leandro Locsin, who was only twenty-six at that time.

“Thirty years later, Pepe Abueva would be UP president and Billy a National Artist, an honor Leandro Locsin would also win for himself. ‘I was the architect Father Delaney was looking for,’ Locsin would recall from that evening. The concept of a church-in-the-round was exactly what Father Delaney wanted.

“Locsin presented a model of this church to Father Delaney. One afternoon, after cleaning up the old chapel, counting host for the next Mass and like chores, Father Delaney called in some ‘sacristines’ and his two favorite grade school volunteers, Evelyn Lesaca and Selma Gonzalez. Not too long ago he'd given the two girls paper dolls, lifted them off the ground in his arms when they were light. Little did he know that they might have something to say about the model of the church-in-the-round. Like the sacristines, the two girls thought the church-in-the-round was a far-fetched dream. ‘A flying saucer of a church’ was the way the girls described it, to tease Father Delaney. They had been so used to the sawali chapel and had been comfortable with it, but now here was this dome model, suggesting a church that not only would look big, solid, and permanent but would also cost a great deal of money.”

Bob Boyer’s book is another kind of treat altogether, although much of it also takes place in the groves of Diliman. Dr. Boyer was seven when the War broke out—“playing war games with my older brothers, reenacting the landings at Leyte Gulf and Lingayen Gulf.” Thus began a lifelong interest in the Philippines, now culminating with Sundays in Manila.

I must confess, with some shame, that I and my wife Beng appear with inordinate frequency in Bob’s book; I suppose you could say that we, among many others, hosted Bob during his many visits to the Philippines, a favor he returned when I went to his college in Wisconsin a few years ago as an exchange professor. When Bob asked me to write the blurb for his book, I was only too happy to contribute these words:

“Bob Boyer offers affectionate—often intimate—portraits of Filipino life and culture, formed over many visits to a country that many if not most Americans know only in the broadest terms: as a staunch ally in the Pacific and its other wars, as the rack of Imelda’s shoes, and as the home of Manny Pacquiao. Bob sharpens that picture with factual detail, but also softens the resulting image of the Filipino with his sympathy and understanding. Whether he’s riding a jeepney, sipping iced tea at the Chocolate Kiss, exploring the mysteries of Quiapo and Mt. Banahaw, or marching up Bataan and Corregidor, Dr. Boyer invariably delights and inevitably instructs; sometimes—like all good teachers do, but ever so gently—Bob disturbs and critiques us with his observations. It’s hard to imagine how a visitor from the snowbound American Midwest could connect so well with sun-baked Pinoys, but Bob Boyer did—and does again, through this eminently enjoyable book.”

Here’s Bob musing on that phenomenon we Pinoys all know about, “Filipino time”: “Unaccountably, between 1:05 p.m. and 1:12 p.m., more than fifty people had materialized— late and together. I was baffled by this synchronized tardiness, except for Tita. Why was Tita not in tune with the others? Perhaps even Filipinos, in certain circumstances, such as a sabbatical leave, misjudge ‘Filipino Time.’ I was still further surprised later that afternoon to discover that what I had thought was the entire photo session was only the beginning. I went to lunch after the session in the reading room, unaware that there were two more sets of pictures taken, one in front of the Faculty Center and one across the road from it, with tropical shrubbery as backdrop. Cora had sent a graduate student to look for me when they noticed my absence, but I had apparently already left. When I later asked a colleague how he knew about the other sites, he said, ‘I followed the photographer.’

“So not only were my colleagues synchronized in their (late) time of arrival. All fifty-some, including Tita this time, were inexplicably in communication about the unannounced multiple sites. They clearly wanted to include me, but somehow, despite their attempts and my watchfulness, I missed the less overt cues of ‘Filipino Time,’ the ones that are so natural to Filipinos that they do not think to mention them.

“Speaking of mending one’s ways, I had to change some of my own behavior because of student politeness. I have the habit, after class has ended and I have gathered up my notes, of chatting with one or more of the students still lingering in the front rows. This is a way of getting better acquainted with students, but I had to eliminate such after-class chats at UP. As soon as the other students heard my voice, they all, including a few on their way out the door, promptly returned to their places to pay attention.”

It’s always interesting to see how others see us, because it gives us another way of seeing others—and, of course, ourselves.

UP Diliman: Home and Campus will be launched June 25, 3 pm, at the UP Executive House, while Sundays in Manila will be launched July 2, 3 pm, at the Sulod Tagibanwa on the 4th floor of the UP Faculty Center. See you there!

UP PRESS TO LAUNCH NEW ALMARIO BOOK


The UP Press and the College of Arts and Letters, UP Diliman, are proud to host "Panayam Bulawan" by CSSP Dean Zosimo Lee and the book launching of Muling-Pagkatha sa Ating Bansa; O Bakit Pinakamahabang Tulay sa Buong Mundo ang Tulay Calumpit by National Artist for Literature Virgilio S. Almario. This will be on March 5 at the C.M. Recto Hall at the Bulwagang Rizal (beside Palma Hall). The double event will start at 2 p.m.

The blurb goes: Bakit pinakamahabàng tulay sa buong mundo ang Tulay Calumpit?  

Ang sagot: “Dahil pagtawid mo mula sa Calumpit, Bulacan, at may dalá kang itlog, pagdatíng mo sa kabilâ sa Apalit, Pampanga, ang itlog mo ay ‘ebon’ na.”  

“Itinatanghal ng palaisipang-bayang ito,” ayon sa may-akda, “ang mga espasyong nakapagitan at naghihiwalay sa mga bayan, mga lalawigan, mga rehiyon, at mga pulo sa buong Filipinas.”  

Sa kalipunang ito ng mga sanaysay hinggil sa nasyonalismo, kasaysayan, edukasyon, wika, at panitikan, nagmumungkahi ang Pambansang Alagad ng Sining kung paano lilikha ng mga bagong tulay sa pagbuo ng pambansang kultura na higit na magbibigkis sa bayan at magpapaigting ng ating pagkabansa.

Buyers will enjoy a 20 percent discount off the retail price and will have the honor of meeting the prolific National Artist Almario. The public is cordially invited.

UP PRESS TO LAUNCH AGAW DILIM, AGAW LIWANAG

Lualhati M. Abreu will be launching her book Agaw Dilim, Agaw Liwanag on January 29 at the UP Press Bookstore in Balay Kalinaw, UP Diliman. The launch will start at 3 p.m. and is sponsored by the First Quarter Storm Movement.

Agaw Dilim, Agaw Liwanag won the Gawad Likhaan: UP Centennial Literary Awards creative nonfiction category. The other winners of the Gawad Likhaan like Jerry Gracio’s Aves and Jose Marte Abueg’s Bird Lands, River Nights and Other Melancholies have also been published by the UP Press.

Says critic Caroline Hau: “Ang Agaw-dilim, Agaw-liwanag—kagila-gilalas na talambuhay ni Lualhati M. Abreu—aktibista, peminista, gerilya, at manggagawang pangkultura—ay malalim na nakahabi sa kasaysayan ng mga pakikibakang mapagpalaya sa Pilipinas nitong huling sandaang taon. 

Ang salaysay na ito ng isang tagaloob ukol sa mga ugat, pagpapanimula, paglawak, krisis, at mga tagumpay ng kontemporaneong kilusang rebolusyonaryo ay namumukod hindi lamang dahil sa mga suring-tanaw nito sa mga tao, lugar, at pangyayari na humubog sa pulitikang radikal, kundi dahil rin sa walang-kurap nitong pagkaprangka at nanunuot na pagsudsod sa pait at tamis ng komitment at sakripisyo na nasa kaibuturan ng rebolusyonaryong pag-iisip at pagkilos.”

National Artist for Literature Bienvenido Lumbera also praised the work in its Gawad Likhaan Citation: “Walang pasubali na nagkaisa ang tatlong hurado ng Malikhaing Sanaysay na igawad kay Lualhati Abreu ang tanging gantimpala, tanda ng kanilang pagkilala sa saklaw at lalim ng pagtalakay sa kasaysayang pinaksa, at sa igting at hakab ng kanyang pagkasapol sa malanobelang teknik upang mailahad ang talambuhay ng isang babaeng matibay na isinabuhay ang kanyang rebolusyonaryong paninindigan sa akdang Agaw-dilim, Agaw-liwanag. Kahanga-hanga ang paggamit sa wika na buong linaw na nakapagtanghal sa mga pangyayari at tauhang gumalaw sa naratibo ng kanyang karanasan bilang aktibista at rebolusyonarya. Ibayo ang itinaas ng pamantayan sa pagsusulat ng malikhaing sanaysay sa wikang Filipino bunga ng praktika ni Bb. Abreu.”

Abreu does research work and writing for non-government organizations in Metro Manila and Mindanao. She is taking up History at the UP Diliman.

 

Arvin Abejo Mangohig

UP PRESS HOLDS DECEMBER SALE


The University of the Philippines Press will have its annual sale on December 1-18, 2009. Enjoy up to 80 percent discounts on our renowned publications as well as titles included in the UPP Centennial Publications and our new collection of books for the year 2009.

Come and visit the University of the Philippines Press Bookstore at E. delos Santos Street, UP Diliman Campus, Quezon City or at the Balay Kalinaw G/F Dagohoy, cor. Guerrero Street. See the map here.

Enjoy your Christmas shopping at the UP Press Bookstore!

For other inquiries please call the University of The Philippines Press at (02) 926-6642, email press@up.edu.ph, or visit our website at http://uppress.com.ph. 
 



UP PRESS LAUNCHES NEW TITLES FOR 2009


The University of the Philippines Press will launch its new titles for the second half of the year 2009. The event, dubbed Paglulunsad 2009: Ikalawang Yugto, will be held on November 23, 2009, 5:00 pm at the Balay Kalinaw located at Guerrero corner Dagohoy Streets, UP Diliman, Quezon City.

The literary titles are Aves by Jerry Gracio; Bird Lands, River Nights, and Other Melancholies by Jose Marte Abueg; Balisa: Trilohiya ng mga Dulang may Tatlong Yugto by Reuel Molina Aguila and XXth Century: 2 Plays by Malou Jacob; Looking for the Philippines: Travel Essays by Cristina Pantoja Hidalgo; Regarding Franz edited by Elizabeth Arcellana Nuqui and Lydia Rodriguez Arcellana; and Philippine Short Stories (1941-1955) Part I (1941-1949) edited by Leopoldo Yabes (Centennial edition).           

The scholarly titles are Pag-aklas, Pagbaklas, Pagbagtas: Kritikal na Kritisismong Pampanitikan by Rolando Tolentino;  Kalusugang Pampubliko sa Kolonyal na Maynila 1898-1918 by Ronaldo Mactal; Unplugging the Constitution by Florin Ternal Hilbay; A Satire of Two Nations: Exploring Images of the Japanese in Philippine Political Cartoons by Helen Yu-Rivera; "Women's Common Destiny": Maternal Representations in the Cebuano Serialized Fiction of Hilda Montaire and Austregelina Espina-Moore by Hope Sabanpan-Yu; Philippine Studies: Have We Gone Beyond St. Louis? edited by Priscelina Patajo-Legasto; and Huwaran/Hulmahan Atbp: The Film Writings of Johven Velasco edited by Joel David. 

Buyers at the launch will enjoy a 20 percent discount on all the new titles. Authors will also be on hand to autograph copies of their books. For inquiries regarding the launch, contact Ange at 926-6642 and press@up.edu.ph.


UPP GOES TO BAGUIO FOR PMA BOOK FAIR


The University of The Philippines Press will be joining the 15th Annual Book Fair of the Philippine Military Academy together with other publishers and book dealers on November 9-13 at the Lecture Hall B, PMA Fort del Pilar, Baguio City.

Please come and visit the University of the Philippines Press booth. Available for sale are our renowned publications, as well as some titles included in the UPP Centennial Publications and new titles for the year 2009.

The event is organized by the Learning Resource Center, Headquarters Academic Group of the Philippine Military Academy (pma_library@yahoo.com).

For other inquiries regarding the event, please call the University of The Philippines Press at (02) 926-6642 or e-mai us at press@up.edu.ph.

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REGARDING FRANZ BOOK LAUNCH IN UP DILIMAN

franzThe Arcellana clan is inviting literature lovers to the book launch of Regarding Franz, edited by Dr. Elizabeth Arcellana-Nuqui and Prof. Lydia Rodriguez-Arcellana and published by the University of the Philippines Press.

The volume is a rich collection of  memories of National Artist Franz Arcellana from colleagues like fellow National Artists Nick Joaquin and Virgilio Almario;  writer-friends like Cristina Pantoja Hidalgo, Jose Y. Dalisay Jr., and Gemino Abad; former students; and family members as well, including a loving tribute from his widow Dr. Emerenciana Arcellana. Regarding Franz also features poems written for Franz, incisive interviews, and photographs provided by the Arcellana family.

  The book is a solid testament to the art and life of one of the most beloved National Artists and perhaps one of the most influential fictionists the country has ever produced, according to novelist Charlson Ong. Anecdotes of generosity and flashes of his personality provide glimpses into Arcellana, the founding director of the UP Creative Writing Center (now Institute), the man and the artist.

Regarding Franz will be launched on October 27, 2009 (Tuesday), 3 p.m. at the Bulwagang Rizal (Faculty Center) in UP Diliman.

Arvin Abejo Mangohig



FINALISTS FOR THE 28th NATIONAL BOOK AWARDS ANNOUNCED

Four University of the Philippines Press titles have been announced as finalists for this year's National Book Awards by the NBDB and the Manila Critics Circle (MCC). The winners will be announced during the awarding ceremonies which will be held on November 14 at the Ayala Museum.

The categories and UPP titles are as follows: Literary Criticism/Literary History
From Globalization to National Liberation: Essays of Three Decades by Epifanio San Juan, Jr.; Our Scene So Fair: Filipino Poetry in English, 1905 to 1955 by Gémino H. Abad; Science Solid Waste Management: Principles and Practices by Filemon A. Uriarte, Jr.; and Selected Essays on Science and Technology for Securing a Better Philippines, Volume I, edited by Gisela P. Padilla-Concepcion, Eduardo A. Padlan, and Caesar A. Saloma. 

            


                                        

 Click here for the complete lists of finalists and judges.

 

UP PRESS REPRINTS THE MORO ISLAMIC CHALLENGE

In time for the first anniversary this October 14 of the Supreme Court decision invalidating the controversial GRP-MILF Memorandum of Agreement on Ancestral Domain (MOA-AD), the University of the Philippines Press has released its second printing of human rights lawyer and legal scholar Soliman M. Santos, Jr.’s 2001 book The Moro Islamic Challenge: Constitutional Rethinking for the Mindanao Peace Process.  The book had been out of stock for several years now, and more demand for it came in the aftermath of the MOA-AD decision.


After the MOA-AD breakdown in the GRP-MILF peace negotiations, which only recently resumed, there has been a felt need for new ways forward, still in the spirit of “open(ing) new formulas that permanently          respond to the aspirations of the Bangsamoro people for freedom.” This book, as originally published, still offers a few ways forward, formulas or ideas, different from but complementary to the track taken with the MOA-AD, so that it may be possible to develop an alternative track for Bangsamoro self-determination that is both politically and constitutionally feasible.  For one thing, the MOA-AD debacle has proven one key thesis of this book that the Moro Islamic challenge warrants not only a negotiated political settlement but also a negotiated constitutional settlement that go hand in hand.


Long-time UP Political Science Professor Temario Rivera, in material published post-MOA-AD last year, described the book as “The most systematic work of constitutional rethinking and innovation to accommodate an Islamic system in the Philippines.”  Then UP Law Dean Raul Pangalangan, in his 2001 Foreword to the book, described it as “… the singular work in Philippine legal scholarship that confronts what is emerging to be a universal dilemma, that of acknowledging Islam within the liberal state… It will be useful for many: for the traditional lawyer, who wishes to see the overlapping domains of domestic and international law, of human rights and humanitarian law, of local and comparative laws;… and for scholars and students, who see law as a way of reimagining alternative futures for a world that longs for daring and imagination.”


The book is now available at the UP Press Book Store in Balay Kalinaw, UP Diliman, Quezon City, the UP Press Display Room on E. de los Santos St, UP Diliman, and other major book stores at a retail price of P300.





THE LIFE AND WORKS OF MARCELO ADONAY CONCERT LAUNCH AT THE UP THEATER

The UP Theater lobby was filled to the brim with music lovers from all over the Philippines when The Life and Works of Marcelo Adonay was launched last September 17. Elena Rivera Mirano, College of Arts and Letters dean and the book's editor, was all too happy that the lights came back on after a brief rainstorm cut off power in parts of the UP campus. They were prepared to sing by candlelight, it was said.

UP Press Director Luisa Camagay started with a short speech introducing the book. Mirano then told the story of the labor of love that was this book, coming to Pakil, Laguna almost a decade ago and marvelling at the statue of Adonay, baton in hand, deservedly glorified as local hero. She and her team       of music scholars saved "parts of parts, pieces of pieces, fragments of fragments..." by scouring through private collections. Some manuscripts had been damaged by floods. Some had been doomed to be burned. Eleven musical scores and ten years after, the book was launched, first at the Paglulunsad 2009 at the Vargas Museum last July with eleven other UP Press titles.

Edna Marcil Martinez, co-editor, went on to explain the particular problems of "realizing" the sound Adonay had in his head. The pieces had not been performed for some fifty to one hundred years. The quirky parts of the winds and brass were too "malikot." The atmosphere of the Gloria from Pequena Misa Solemne was not quite right, and in some works, Marcelo Adonay, himself an excellent violist,  had disappointingly not written out a viola part.

The music part of the programs were performed by the Marcelo Adonay Choir, The UP Cherubim and Seraphim, and the UP Orchestra Chamber Enesemble. Soloists were Nita Abrogar Quinto, Ralph Tayan, and Ramon Acoymo. Standouts were Acoymo, who filled the spacious lobby with his glorious tenor, and the thrilling Gloria. 

National Artists for Literature Virgilio S. Almario and Bienvenido Lumbera were present. Also seen were College of Mass Communications dean Rolando Tolentino, KontraGapi's Edru Abraham, and music great Ramon Santos. Delegates from Pakil, Batangas, and Bohol also came.

The Life and Works of Marcelo Adonay is available at the UP Press Bookstore and Display Room. The softbound edition is priced at P1,200 and the hardbound edition at P1,800. A second volume, now with fifteen scores, is already being worked on, a fitting tribute to Maestro Adonay and Philippine music in general.


Arvin Abejo Mangohig

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UP Press to join ALBASA Book Sale in Cebu


The University of the Philippines Press will be joining the book fair at the Academic Libraries Book Acquisition Systems Inc (ALBASA Inc) 36th Annual General Assembly together with other publishers and book dealers on May 19-21 at the Cebu Grand Convention Center, Banilad, Cebu City  

Come and visit the University of the Philippines Press booth. Available for sale are our renowned publications, as well as titles included in the UPP Centennial Publications launched last December 2008.

For inquiries regarding the event, please call the ALBASA office at (032) 2540691. You may also call the University of the Philippines Press at (02) 926-6642.

Visit ALBASA's website at http://www.albasainc.org/.
 

Animal breeding book among 100 launched by UP Press                

Animal Breeding Principles and Practice in the Philippine Context was one of 100 titles launched by the UP Press on Dec. 12 at the Malcolm Hall in UP Diliman to showcase UP’s rich contribution to Philippine literature and scholarship in the humanities and the sciences. Dr. Orville Bondoc, book author, is a professor in animal breeding and genetics at the CA-Animal and Dairy Sciences Cluster.

The book discusses principles of genetics with emphasis on breeding goals and procedures to improve economically important traits in animal breeding populations. The book highlights results of local animal breeding research helpful in designing animal breeding strategies for major farm animal species.

UP President Emerlinda R. Roman said that the authors’ work “is not always as noticed or as high profile (as other activities that were held to mark the UP Centennial) but is more representative of what UP as a university stands for. In the end, the measure of a university’s strength is the respect accorded its scholars and artists. 

The book will be available by the second half of the year.


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Cristina Pantoja Hidalgo’s Fabulists and Chroniclers

The UP Press announces that Cristina Pantoja Hidalgo’s latest book, Fabulists and Chroniclers, is now available at UP Press Bookstore in Diliman, National Book Stores and Powerbooks. 


The book contains critical comments on such contemporary issues as: How do memoirs and travel essays function as social history? How do Filipino women writers “perform” the modern wonder tale? Is Latin American fiction the source of Philippine marvelous realism or are our own novelists mining a more powerful, native lode? Have its close connections with academe enriched or diminished Philippine literature in English?

In what may be her most provocative book, Hidalgo also takes a look at chick lit, the modern crime novel, and the literary blog.

But what the ordinary reader—the non-specialist reader who just likes reading books by Filipino authors—may find most useful and interesting is the essay which traces the development of Philippine fiction in English from its beginnings in the early 20th century to its most recent developments in the work of such young writers as Kit Kwe and Anna Sanchez. This essay should serve as a crash course on the state of the Philippine novel and the short story in English today.

The cover design and artwork is by young artist Rex Dasig Aguilar. The book retails at P250.

Hidalgo has published more than 20 books of fiction and creative nonfiction, for which she has won many awards. She served as director of the UP Institute of Creative Writing and the UP Press. At present she is Vice President for Public Affairs of the UP System.

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UP Press releases unique example of journalism as history


The University of the Philippines Press announces the release of “1908—The Way It Really Was” by Raul Rafael Ingles. Subtitled Historical Journal for the UP Centennial 1908-2008, the volume is a day-to-day chronicle of events and issues which unfolded within the year of UP’s founding.


Ingles, UP professor emeritus, conceived of the book as tribute to the University he has served faithfully for many years. It compresses 365 days into less than 400 pages, and offers an immensely interesting record of the year 1908. The events covered range from the insignificant and amusing to the momentous. The volume opens with an account of the New Year’s eve “midnight revelry” from the Manila Times and closes with the 12th anniversary of the death of Jose Rizal and an announcement of New Year celebrations in Malacañang.


The book’s foreword is by UP President Emerlinda Roman, who says of it that “every single item is fascinating,” and praises the “discerning mind, historical sense and literary flair” of the man who “had the imagination and the diligence to undertake the laborious research and writing of this extremely interesting book.”


In his short introduction, National Historical Institute chair, Ambeth Ocampo notes that “the past becomes relevant to our times, because history as he presents it sounds strangely, and sometimes painfully, familiar.” Perhaps the unintended wisdom the thinking Filipino will glean from its pages is that the more things change in the Philippines, the more they stay the same. Ocampo adds that the book is an engaging read, proving that “history is interesting and if you think otherwise, you probably have had a boring textbook or a boring teacher.”


Finally, in an afterword, National Artist for Literature and UP professor emeritus Bienvenido Lumbera observes in his postscript that the book is “both history and journalism,” adding that it “causes us to ponder the early years of the American occupation of the country and to look beyond 1908 to UP’s emergence as an intellectual center of vital relevance to the development of national consciousness of the Filipino people.”


The hardcover edition sells at P800 and is available at the UP Press Bookstore in UP Diliman.

Arvin Abejo Mangohig

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EDITING THE 100 UP PRESS CENTENNIAL TITLES


Having been brought on board to help in the editing of the UP Press Centennial titles last July 2008, I was not sure of what to expect. I had heard of the Centennial titles project, an ambitious endeavor which would bring together 100 books from the realms of science, the social sciences, the humanities and of course literature. This was a gargantuan task, with a thousand spinning parts and details needed to ensure success: contacting authors, editing and proofreading, getting the right look for the book covers etc. The world at large may not know the work that is needed to come up with a book. It is a collaborative effort, both tedious and time-consuming and does not end with just the finished product, something I was well aware of.

But I had to say yes to the project, conceived by the UP Press editorial board and the titles selected by panels of experts in each field, a process which took almost a year. It was a great opportunity and a complete turnaround from my almost dilettante life working three part-time jobs. A 9 a.m. to 6 p.m. schedule, a Bundy clock to chase and answer to, a nice gray desk and a blinded view of the E. de los Santos would be a fine change of environs. Back then, there was already talk of a weakening global economy and Barack Hussein Obama had not changed the world yet. The UP Press would afford some security and continuity, I decided.

My contribution to the project would also be my way of saying thank you to UP, its tradition of excellence and the professors whom I had encountered in my long stay and love affair with the campus and its denizens. After all, it is not everyday that one gets to edit former professors like Rosario Cruz Lucero, who can reduce Haruki Murakami into sashimi slices or J. Neil Garcia, whose three hour graduate studies lectures deserve tomes unto themselves.

My editorial qualifications were not half bad. I was reared memorizing the King James Version of the Bible, had two English Major degrees from UP, had gone AWOL from my PhD and had UP Press itself publish my book of poetry. I had worked for the Press before and must have set some Guinness Book of World Record of sorts, editing six manuscripts in the span of around twenty working days, including those of two authors who would eventually make it to the Centennial list: the legendary Damiana Eugenio and the equally voluminous O.D. Corpuz. I also set another record: number of trips to the desk of Nelia Gahol, chief of the editorial division, asking for the Press’ policies on formatting and spelling: numbers below 100 are spelled out… UP has no periods… and so does USA… too many ellipses are bad.

So going to work on the centennial titles was not all bad. But things had changed at the UP Press since I had worked there a few years ago. The printing machines had stopped their grinding, standing still, grim and dusty; sadly, printing was no longer done in-house. The TOKI and the IKOT jeeps now plied their routes right at our very doorstep and window sills, whereas before I had considered the Press’ building location isolated and verging almost on provincial. Architecture students would romp and rouse across our windows, like birds in punk colors. And the Editorial Section, a roomy and well-lighted space, now had blue modular offices, a legacy of color from former UP Press director—herself a Centennial title author—Cristina Pantoja Hidalgo. My desk was right beside the office of Director Maria Luisa Camagay, her infectious, musical laughter indicating she was in.

My first manuscript was Orville Bondoc’s Animal Breeding, a comprehensive guide and a contribution to the topic from the renowned UPLB scientist. I quickly moved on to other manuscripts like F. Landa Jocano’s Sulod Society, Hidalgo’s Fabulists and Chroniclers, Selected Essays on Science and Technology for Securing a Better Philippines and others which were not really Centennial titles (I was just too fast and six months of work can be infinity itself).

One manuscript I particularly enjoyed was Priscelina Patajo-Legasto’s Philippine Studies: Have We Gone Beyond St. Louis?, a compendium of essays written by some of the most brilliant minds in the country. Here, Rolando Tolentino discusses dog-eating, using the lens of postcolonialism and the theory of abjection to dissect both the cultural practice and the Western cultural practices which attempt to commandeer dog-eating. In “Filipinos are Punny,” Sarita Echavez See comes up with a rollicking essay using Fil-American stand-up comedian Rex Navarette’s shtick and the way Filipinos conflate p and f. Francisco Guevara’s discourse ironically matches Conchitina Cruz’s ethereal Dark Hours and does one better, examining both the theoretical and physical in a heady mix of praxis and actual place.

The grand launch of the Centennial titles was held at the UP College of Law last December 12. I got to see the actual Damiana Eugenio in her actual flesh. National Arists Virgilio Almario and F. Sionil Jose graced the event, as did the widows of National Artists Francisco Arcellana and NVM Gonzalez, and Letizia Constantino, widow of Renato Constantino. UP President Emerlinda Roman imparted wise words: “The measure of a university’s strength is the respect accorded its scholars and artists. And there can be no better proof of the originality, creativity and importance of a university’s intellectual and artistic output than the list of the books produced by its publishing house.”

And so UP’s centennial year passed, Obama was inaugurated, and January 2009 was ripped off our complimentary blue and red calendars. I sit at a desk surrounded by books fifty years old, face to face with the Marxism of Bomen Guillermo, watching him lock mental horns with Zeus Salazar and Pantayong Pananaw.

They say that one of the few ways to become immortal is to write a book. In the face of the Internet, even that alleged immortality a book affords is doubtful; what with the viral spread of electronic formats stealing the royalties and copyright of authors. Against time and technology’s inevitability, only a few things can survive and are worthy of that survival. One hundred years later, one hopes that the UP Press 100 Centennial titles will survive and that the editor sitting at the very spot I am in will also be working on the next 100.

Arvin Abejo Mangohig

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UP PRESS CELEBRATES WITH GRAND LAUNCH

The University of the Philippines Press ended the UP Centennial year with a grand launch of 100 titles that showcase the university’s rich contribution to Philippine literature and scholarship in the humanities, the sciences and the social sciences.

Many of these authors were present at the Malcolm Hall, UP Diliman, to receive their certificates of recognition from UP president Emerlinda Roman and UP Press director Ma. Luisa Camagay. The UP Press takes pride in the fact that most of its titles are by the university’s own distinguished scholars, writers and artists.

Among the Centennial titles are classics: “Muslims in the Philippines” by Cesar Adib Majul (1973); “The Roots of the Filipino Nation, Vols. 1 & 2” by O.D. Corpuz (2006); “The Origins and Rise of the Filipino Novel: A Generic Study of the Novel Until 1940” by Resil B. Mojares (1983); “The Revolt of the Masses: The Story of Bonifacio and the Katipunan” by Teodoro A. Agoncillo (1996); “Ang Bagong Lumipas, Vols. 1 & 2” by Renato Constantino (1996); the best-selling folk literature volumes by Damiana Eugenio; the short story anthologies edited by Leopoldo Yabes; the literary and scholarly works of National Artists NVM Gonzalez, Francisco Arcellana, José Maceda, Bienvenido Lumbera, Virgilio Almario and Edith Tiempo.

Some are groundbreaking editions: “From Colonial to Liberation Psychology: The Philippine Experience” by Virgilio Enriquez; “Philippine Gay Culture: The Last 30 Years” by J. Neil Garcia (1996); “Protest / Revolutionary Art in the Philippines 1970-1990” by Alice G. Guillermo (2001); “Sa Loob at Labas ng Mall Kong Sawi/Kaliluha’y Siyang Nangyaya-ring Hari: Ang Pagkatuto at Pagtatanghal ng Kulturang Popular” by Roland B. Tolentino (2001); “Treading Through: 45 Years of Philippine Dance” by Basilio Esteban S. Villaruz (2007); “Tunugan: Four Essays on Filipino Music” by Ramon P. Santos (2005).

And some are new titles released this year: “Arkitekturang Filipino: A History of Architecture and Urbanism in the Philippines” by Gerard Lico; “Animal Breeding: Principles and Practice in the Philippine Context” by Orville Bondoc; “Fundamentals of Traffic Engineering” by Ricardo G. Sigua; “Selected Essays on Science and Technology for Securing a Better Philippines” edited by Caesar Saloma and Giselle Concepcion; “Upon Our Own Ground: Filipino Short Stories in English 1956-1972, Vols. 1 and 2,” edited by Gèmino H. Abad; “Philippine Studies: Have We Gone
Beyond St. Louis?” edited by Priscelina Patajo Legasto

In her message, Roman said: “The work you do here is not always as noticed or as appreciated as it should be. It is not as high-profile as, for example, “Pamantasang Hirang,” our Centennial concert, or the grand opening of the UP-Ayala Techno Hub. And yet it is, perhaps, more representative of what we as a university stand for. It is steady, consistent, careful and cumulative.”

“In the end,” she added, “the measure of a university’s strength is the respect accorded its scholars and artists. And there can be no better proof of the originality, creativity and importance of a university’s intellectual and artistic output than the list of the books produced by its publishing house.”

National Artists for Literature Virgilio Almario and F. Sionil José graced the event, as did the widows of National Artists Francisco Arcellana and NVM Gonzalez, and Letizia Constantino, widow of Renato Constantino.

Also present were former UP Press directors Elmer Ordoñez and Cristina Pantoja Hidalgo, and FEU chair of the board Lourdes Reyes-Montinola, themselves among the authors being honored.

The 100 UP Centennial Titles Project was conceived by the UP Press editorial board. The titles were selected by panels of experts in each field, a process which took almost a year.

View the Centennial Titles

Arvin Abejo Mangohig

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